South Asia is a rich transcultural society that encapsulates the soul of its people, diverse lands, distinct languages, art forms, and rich intangible and tangible heritage. The project ‘Taoos Chaman’ is an artistic rendering of locations in ordinary cities, towns, villages, and small communities in South Asia, by artists who either belong or live there. Their visual art, songs, dance, stories, languages, histories, and concerns are usually overshadowed by bigger cities, urban centers, business hubs, and mainstream art. The project explores the plurality within South Asia through the stories of the migrated, the marginalized, or the far-flung neglected land or community in the larger frame of the country and the region. My gratitude is to participating artists from Pakistan, Afghanistan, India, Bangladesh, Sri Lanka, and Nepal who contributed generously in the hope to cultivate urban intelligence and the common ground called ‘humanity’ to embrace the relevance of the ‘ local’ and the ‘ regional’ co-existence because we have shared not only the past but also share the present.